Weekly Log #1

Given that it's been quite some time since I posted on this blog, I've decided to start a new section of my blog where I post what I've seen over the week and give my brutally honest opinions. This probably won't be a weekly occurrence given I've just started my final semester of college but at least I'll have something to post on this blog to anyone who actually reads it. As always, feel free to post in the comments section!

Wandavision

This series is NOT the Lynchian-esque masterpiece that so many people on Twitter are hyping it up to be, but it's still a pretty damn good show. While Elizabeth Olson and Paul Bettany are stellar, the true star is the filmmaking, which easily adapts to whatever sitcom style an episode is paying homage to. Add in a central mystery and this is a show I'll be looking forward to weekly.

Wonder Woman 1984

I finally saw this film right before it left HBO Max. It's a far cry from the first film's grounded nature and is pretty messy when it comes to certain story elements (don't get me started on Steve Trevor), but it's a decent popcorn entertainment flick that revels in it's '80s cheesiness. Don't go in expecting a near-masterpiece like the first film, though.

Paths of Glory

I got the Criterion DVD edition of this film at my local comic store for $5. Stanley Kubrick employs a lot of tracking shots and camera techniques that really help to immerse yourself in the film's story, which provides a very strong anti-war message that ends on a shockingly bleak note and features great acting from Kirk Douglas.

Bioshock

I finally gave in and switched to Easy difficulty after dying so many fucking times and finished the game in a day. The underwater city of Rapture has the some of the best atmosphere  I've encountered in a game since Half Life 2 and the story asks some excellent questions that are rarely asked in gaming. I'll probably dive back into it to collect the director's commentary provided by Ken Levine and Shawn Robertson.

Deadly Premonition 2

SWERY's sequel to the 2010 survival horror game is as much of a singular piece of art as the first one, filled with lengthy conversations about B-movies and musings on the wonders of pizza. One annoying feature I've encountered so far is the inability to resume a conversation after getting interrupted and the constant having to press through cutscenes but this is still a very entertaining game I can't wait to play more of.

eXistensZ

I love videogames and movies. However, I have a difficult time disengaging my mind whenever it comes to switching between both mediums. I could be watching a movie and thinking to myself how game mechanics can be incorporated from certain sequences rather than enjoying the film on it's own merits. I can be playing a video game and thinking to myself how it would transition to film. Being a college student going into his final semester, my biggest career struggle is deciding whether or not I want to go into the games industry or the film industry. As a result, it is sometimes hard for me to immerse myself in the escapist lands both these mediums provide without feeling like I am wasting my time.

With eXistensZ, I was fully engaged from beginning to end. Released in 1999, the film is set in the future where virtual reality gaming is the best thing since sliced bread. The film centers around game designer Allegra Geller on the run from assassins after previewing her latest game. Her sole companion is the technophobic, neurotic Ted Pikul, who is forced to confront his fears in order to help Allegra get to safety and save the original copy of her game. 

The film itself is standard thriller fare, yet David Cronenberg leaves enough of his signature style on it to be able to tell it's one of his films. How many techno-thrillers have fleshlight-looking game systems that jack into your spine or pistols made out of fish bones that use teeth as their main ammunition source?  The film features a star-studded cast including Willem Dafoe, Christopher Eccleston, and the late Ian Holm. The scenes inside the titular game discuss game logic and the intentions of the NPCs in regards to plot and character. 

The Best Games I Played in 2020

This year found many people turning to videogames for comfort during these stressful pandemic times. Yours truly was no exception.

The Last of Us Part II

If we're comparing videogames to movies, The Last of Us Part II may very well be this year's The Last Jedi. It's deconstruction of the revenge genre and borderline sadomachistic story doesn't always work, but it still contains the excellent writing, gameplay and motion-capture performances Naughty Dog is known for.

Ghost of Tshuhima

An ode to samurai films and Japan in general, this action-adventure game is a much more suitable game for those who may have been turned off by The Last of Us Part II, 

Paper Mario: The Origami King

Stop comparing this game to The Thousand Year Door and enjoy it for some of the funniest writing I've ever encountered in a game.

Control

Remedy Entertainment has always ben known for it's cinematic action-adventure game but Control may be it's apex in that regard. Issues on my base PS4 aside, the game features an excellent New Weird world with expert storytelling and gameplay that has more than a few nods to the studio's previous work.

Doom Eternal

Doom Eternal is to Doom what Fury Road was to Mad Max. Bigger, better and more exciting than ever.

Hades

Beloved for their games that combine unique storytelling with addictive gameplay, Supermassive Games have made their best game yet in Hades, a roguelike ARPG that incorporates Greek mythology into it's DNA as you attempt to escape the Underworld. While the gameplay is as fun as it's ever been, the true star of Hades is the cast of characters based on Greek gods that you converse and form bonds with everytime you return to the Underworld.

Final Fantasy VII Remake

Square Enix's multi-part reimagining of it's groundbreaking JRPG suffers from a lot of filler, but when it comes to recreating certain story moments, it absolutely shines.

Yakuza Kiwami 2

If Japanese games are one of my favorite genre in games, the Yakuza series is up there with the best for their  dense open worlds and storytelling that blends serious drama with humor. 

Cobra Kai Season 3

Cobra Kai is one of those shows that sounded like a terrible idea when it was first announced, only to quickly become an overnight sensation. Originally airing on Youtube Red before moving to Netflix for it's third season, the show's basically The Karate Kid: The Next Generation, focusing on the main villain from the original film Johnny Lawrence as he tries to rebuild his life by resurrecting his old dojo and facing opposition from Daniel LaRusso, who believes that Johnny is trying to start up the dojo's bullying creed and creates his own dojo in honor of the deceased Mr. Miyagi. The show quickly won over fans thanks to it's fantastic lead performances in William Zabka and Ralph Macchio, as well as it's solid writing and deconstruction of the original film's black and white morality.

Season 2 ended on a pretty bleak cliffhanger, with an all-out brawl erupting between the Cobra Kai and Miyagi-Do students that left Johnny's star pupil and surrogate son Miguel Diaz paralyzed by Johnny's biological son Robby, while John Kreese has taken over the Cobra Kai dojo. The opening episodes of the season do a good job at emphasizing the severity of the fallout, from the entire community being in an uproar over the brawl to Sam's PTSD following her fight with Tory. As Daniel and Johnny try to deal with the damage their feud to has done to their loved ones, Kreese starts to mold his remaining students into the violent mindset he instilled into Johnny back in his youth.

Cobra Kai is pretty ridiculous when you step back and think about it. Two middle-aged high school enemies reliving their old rivalry feels like fodder for a crappy sitcom, but Season 1's writing and performances were good enough for it to feel grounded in reality. While Season 2 suffered flak for it's overemphasis on the show's teenage cast as well as a heavy dose of melodrama, Season 3 smartly turns it's attention back to the adults (for the most part) and their attempts to salvage their ruined lives as well as those that they care about. Scenes like Johnny's attempts to use social media with the aid of Miguel and Daniel's trip to Okinawa work primarily because of the foundation laid in the previous seasons.

That's not to say that this season doesn't have it's flaws. While the elements that make the show work are given ample screen time, certain characters and their storylines are given the short shrift, particularly Robby and Hawk, both of whom undergo character transitions by the season's end that should've been given more breathing room. The gang war between Miyagi-Do and Cobra Kai reaches new levels of ludicrousness, to the point that there's no good reason why none of the kids or adults ever involve the police. The Sam/Tory feud is a double-edged sword, giving Sam a compelling arc in overcoming her PTSD while robbing the rivalry of any nuance or shades of gray by portraying Tory as a one-dimensional psychopath. The flashbacks depicting Kreese in his Vietnam days feel like they're from another show altogether, a poor attempt to humanize a character who is otherwise a complete sociopath.

But when the show works, it can be insanely fun. The way the characters bounce off of each other is as compelling as ever to watch and there's a large amount of humor in this season, despite the heavy subject matter. The finale is an insane, balls-to-the-walls smorgasbord that perfectly sets up the fourth season. Season 3 of Cobra Kai might not be perfect, but once you give into it's charms, it's like nothing else on television.